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Baltimore City Paper Online
04.24.02
Trading Spaces Offers an Addictive Dose of
Potential Disaster
by Benn Ray
How well do you trust
your neighbor? Do you trust them enough to redecorate your house?
On TLC's unlikely hit Trading Spaces,
neighbors who have volunteered to be on the show swap houses for two days
while they redecorate one room in each other's homes. The participants
(usually two suburban married couples) each work with one of a rotating
cast of interior designers and a lowball $1,000 budget. Both
couples/designers share a carpenter, and a fleet of cameras record it all.
The trade-off is that the homeowners can't see their own homes until the
end of the second day and have nothing to say about what's going on in
their house.
What makes Trading Spaces really work,
though, isn't the budget design work or the quality of the quickie
carpentry. It's the potential for disaster, playing out suspensefully
before your eyes, that makes the show downright engrossing.
Now ending its second season, Trading
Spaces features a regular cast including host Paige Davis (a peppy
sorority-girl type with a punky/hipster makeover) and two rotating
carpenters, sardonic Ty Pennington and practical Amy Wynn Pastor. Then
there are the designers, who also rotate each show: Frank Bielec (who has
a flair for that obnoxious "country craft" look), Genevieve
Gorder (who will take an object found in your room and base her whole
design on it, whether the object is a discarded fork or a photograph of
your hated mother-in-law), Laurie Hickson-Smith (pretentious and often
indifferent to the desires of the participants), Hilda Santo-Thomas (the
forward-looking designer every timid Middle American homeowner fears),
Doug Wilson (whose designs tend to be on the dark and slick side), and
Vern Yip (warm and sincere, with a flair for fabrics and paper). When the
homeowners are thrown into this mix, the results are often stressful and
nail-biting.
Conflict usually arises almost immediately,
when participants try to talk the designers, who have already planned
their work, out of certain elements they know their neighbors will hate:
"We can't paint the walls black!" "She hates pink, please
don't paint the ceiling pink." "Why are we hot-gluing hay to the
walls when they have a young child who will only pick the hay off?"
Unfortunately for the participants, their
protests rarely stop the designers, whom they have no control over
selecting. Because of this dynamic, the show's designers achieve
first-name personality branding similar to professional wrestlers. Hilda
is a bad guy. Genevieve is a good gal. Doug is ruthless. Vern is
compassionate. Frank will rely on his handy country-craft move. Laurie
will say something to reveal that she is completely out of touch with
people in general. This friction creates a slowly building cringe factor
as the designs play out and you wonder to yourself, What were
they thinking?
As the carpenter runs behind schedule and the
neighbors frantically try to fit in all the work that the designers need
done (often working into the wee hours on Day 1, long after the designers
retire to their hotel), host Davis will occasionally lend a hand. More
often than not, however, she contributes to the stress level by wielding
her own handheld "Paige Cam" and interviewing them as they work.
Imagine having to paint a thousand small wooden squares in two hours while
someone sticks a camera in your face and asks, "What do you think of
this green?" and you get the idea.
Day 2 is usually more stressful than Day 1, as
time runs out and disasters must be compensated for somehow. (For example,
there was the time Santo-Thomas decided to paint one family's furniture
bright magenta and two chairs and a couch were accidentally ruined by an
overnight rain.) Meanwhile, the viewer's anticipation is rising, as is
interest in how the room is taking shape--either, "Hey, that doesn't
look too bad," or, as is often the case, "Look what they've done
to that room."
Finally, the show peaks at "The
Reveal." Davis leads each couple back to their house in turn, their
hands over their eyes. As soon as she tells them to take a look, the
seasoned viewer begins furiously scanning their faces for reactions. Do
they hate it? Do they like it? Are they just saying they like it but
really hate it? How could they actually like it? Are those tears of
joy or horror? And so on. The Reveal is simply orgasmic, the essence of Trading
Spaces. Every minute of the program has been building to this point as
the neighbors have been frantically trying to complete their respective
rooms. What will the payoff be? Will these suburbanites have wasted a
weekend and destroyed a room in the process thanks to a designer's
misdirection, or will the seemingly disjointed room elements finally come
together?
The neighbors' reactions, ranging from
undeniable horror to gritted teeth to tears of joy, are almost unbearably
rewarding to the viewer. And in some instances, the results have garnered
as much press as the show itself is currently getting (including coverage
in Entertainment Weekly magazine and on NBC's Today). There
have been well-publicized incidents where dangerous design work and shoddy
carpentry have ruined someone's traded space. But that's part of the
gamble and, inevitably, what makes the show so compelling: Participants
sign releases before going on the show and are stuck with whatever
results, and possibilities for dream room to turn nightmare are rife from
the premise on down. Carpenters watching Trading Spaces, for
example, may be appalled to see wall mountings that avoid studs. But with
only one carpenter between two houses, two days, and $2,000, participants
are not getting fantastic room makeovers; they are getting a hastily
thrown-together room revisions.
So, how well do you trust your neighbors? Yes,
Trading Spaces may be able to help you get rid of that drop ceiling
or the puke-green carpet covering up those beautiful hardwood floors. But
you may end up with unfinished 2x4s mounted at regular intervals into your
black-painted dry wall. Or worse. Now that's good television.
For more information on
Trading Spaces-- or to sign up as a participant with your
neighbors--visit the
official website.
Transcript appears courtesy of Baltimore City Paper Online, copyright 2002©
All Rights Reserved
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